TASCAM DR100MK3 Professional Handheld Recorder

Product Code: TAS-DR-100MK3

This product was discontinued on January 16, 2020.

This recorder is unlikely to be available again in New Zealand. Please refer back to the "Audio Recorders" category for alternatives. 

 

 The DR-100MKIII is Tascam’s top-of-the-line portable, delivering the best audio performance in the history of Tascam stereo handheld recorders. Designed to meet the needs of the most demanding audio designers and engineers, this third generation of the DR-100 combines robust reliability, an easy-to-use interface and studio-quality sonic performance.

You can record directly from the built-in uni-directional or omni-directional stereo microphones, connect your own mics to the rugged locking Amphenol XLR/TRS connectors, use a camera microphone or line source for recording or record from a digital SPDIF source. 24 or 48 volts of Phantom power on the XLR inputs are available for the use of studio condenser mics and Mid/Side microphone configurations can be decoded before or after recording. This ensures that virtually all fields of application are covered – from music, speech and atmosphere recordings to meeting minutes and live concert recordings.

Many other improvements and new features as well as the multilingual menu make the DR-100MKIII an easy-to-use companion for sound recordings at the highest level.

Features DR-100 MKIII DR-100 MKII
Maximum sampling rate 192 kHz 96 kHz
Recording media SDXC (up to 128 GB) SDHC (up to 32 GB)
AD/DA converter for external input AKM AK4558 AKM AK4556
Audio clock accuracy 1 ppm (TCXO) 30 ppm
Display size 128×128 128×64
Menu language EN/FR/ES/DE/IT/JP EN
Headphones output 40 mW + 40 mW 25 mW + 25 mW
Low-cut filter 40/80/120/220 Hz 40/80/120 Hz
Peak reduction Yes No
Power-on recording Yes No
Dual level recording Yes No
Dual format recording Yes No
Floating structure for unidirectional mics Yes No
XRI function (stores recording information) Yes No
Slate tone generator Yes No
Connectors for external input Amphenol XLR/TRS combo XLR
Specifications
General
Recording media SD card (64 MB−2 GB)
SDHC card (4−32 GB)
SDXC card (48–128 GB)
Recording/playback formats WAV (BWF): 44.1/48/88.2/96/176.4/192 kHz, 16/24 bits
MP3: 44.1/48kHz, 128/192/256/320 Kbit/s
Number of audio channels 2 channels (stereo)
Analogue audio inputs and outputs
MIC/LINE IN jacks (XLR support phantom power) XLR-3-31 (1: GND, 2: HOT, 3: COLD)
6.3-mm standard TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
When MIC input source selected
Maximum input level +2 dBu (PAD on)
Minimum input level –70.5 dBu (PAD off)
Input impedance XLR: ≥2 kΩ
TRS: ≥20 kΩ
When LINE input source selected
Maximum input level +24 dBu
Nominal input level +4 dBu
Input impedance ≥20 kΩ
EXT IN jack (can provide plug-in power) 3.5-mm stereo mini jack
When EXT MIC input source selected
Maximum input level –2.8 dBu (PAD on)
Minimum input level –62.8 dBu (PAD off)
Input impedance ≥50 kΩ
When EXT LINE input source selected
Maximum input level +6 dBV
Nominal input level −10 dBV
Input impedance ≥2 kΩ
LINE OUT jack 3.5-mm stereo mini jack
Output impedance 200 Ω
When LINE input source selected
Nominal output level –14 dBV
Maximum output level +6 dBV
In other situations
Nominal output level –10 dBV
Maximum output level +6 dBV
Headphones jack 3.5-mm stereo mini jack
Maximum output power 40 mW + 40 mW (headphones connected, 32 Ω load)
Built-in speaker 0.4 W (mono)
Digital input
DIGITAL IN connector 3.5-mm TRS jack (using dedicated conversion cable)
Format IEC60958-3 (SPDIF)
Other inputs and outputs
USB port Micro-B connector
Format USB 2.0 HIGH SPEED mass storage class
REMOTE jack 2.5-mm TRS jack
Audio performance
Frequency response MIC/LINE IN (MIC, PAD On) to LINE OUT
MIC/LINE IN (LINE) to LINE OUT
EXT IN (MIC, PAD On) to LINE OUT
EXT IN (LINE) to LINE OUT
44.1/48 kHz sampling frequency (JEITA) 20 Hz − 20 kHz +0.5 dB/−1 dB
88.2/96 kHz sampling frequency (JEITA) 20 Hz − 40 kHz +0.5 dB/−2 dB
176.4/192 kHz sampling frequency (JEITA) 20 Hz − 80 kHz +0.5 dB/−4 dB
Distortion MIC/LINE IN (MIC, PAD On) to LINE OUT
MIC/LINE IN (LINE, +20dBu In) to LINE OUT
EXT IN (MIC, PAD On) to LINE OUT
EXT IN (LINE) to LINE OUT
44.1/48/88.2/96/176.4/192 kHz sampling frequency (JEITA) ≤0.007 %
S/N ratio MIC/LINE IN (MIC, PAD On) to LINE OUT
MIC/LINE IN (LINE) to LINE OUT
EXT IN (MIC, PAD On) to LINE OUT
EXT IN (LINE) to LINE OUT
44.1/48/88.2/96/176.4/192 kHz sampling frequency (JEITA) ≥102 dB
Equivalent input noise (EIN) ≤–124 dBu
Note: based on JEITA CP-2150
Power supply and other specifications
Power supply Built-in lithium-ion rechargeable battery
2 AA batteries (alkaline, NiMH or lithium-ion)
USB bus power from a computer
AC adapter (Tascam PS-P520E, sold separately)
Battery pack (Tascam BP-6AA, sold separately)
Power consumption 7.5 W (maximum)
Approximate battery operation time (continuous operation in hours:minutes)
Use conditions UNI MIC (built-in directional mic) input
Phantom power unused
STEREO WAV (BWF)/44.1 kHz, 16-bit recording
Using built-in (lithium-ion rechargeable) battery 12:00
Using lithium batteries (Energizer Ultimate Lithium) 7:00
Using NiMH battery (eneloop) 3:30
Using alkaline batteries (Evolta) 2:45
Use conditions MIC/LINE IN jack/mic input
Phantom power used (+48V, 2 × 3 mA)
STEREO WAV (BWF)/44.1 kHz 16-bit recording
Using built-in (lithium-ion rechargeable) battery 6:00
Using lithium-ion batteries (Energizer Ultimate Lithium) 3:30
Using NiMH battery (eneloop) 2:15
Using alkaline batteries (Evolta) 1:00
Charging time By USB: about 10 hours
Using PS-P520E: about 4½ hours
Dimensions (w × h × d) 80 mm × 156 mm × 35 mm (excluding protrusions)
Weight 425 g (including batteries)
375 g (excluding batteries)
Operating temperature range 0–40 °C

Tascam

Tascam

We can get the whole range, just tell us if you want anything. TASCAM is the professional audio division of TEAC Corporation, headquartered in Montebello, California. Tascam is credited as the inventor of the Portastudio, the first cassette-based multi-track home studio recorders. Tascam also the...

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